《赎罪》的赎罪主题分析

《赎罪》的赎罪主题分析

毕 业 论 文

论文题目

学生姓名： 专业班级： 指导教师： 学 院：

2017年6月

英语2011级1班

教授 外国语学院

《赎罪》的赎罪主题分析

摘要

伊恩·麦克尤恩是英国当代最负盛名且最具影响力的作家之一。自上世纪70年代踏入文坛，麦克尤恩笔耕不断，佳作迭出。他先后四次获得布克奖提名，并最终于1998年以《阿姆斯特丹》折桂。其代表作《赎罪》(Atonement)自2001年出版问世以来，广受好评，赢得了包括美国国家书评奖在内的多项殊荣。它不仅成为麦克尤恩最受欢迎的小说，而且被评为近年来最畅销最成功的小说之一。

青少年经常以主人公身份出现在麦克尤恩的小说中，并且青少年的成长也是麦克尤恩作品关注的焦点。麦克尤恩的第九部小说《赎罪》讲述了一个13岁的小女孩如何通过赎罪而步入成熟的故事。许多文学评论家从主题、内容、人物和叙述手法等不同角度对小说《赎罪》进行了剖析。但是综观这些研究成果，至今还没有从成长小说这一独特视角对作品中女主人公进行系统、深入的研究。因此，本文将运用成长小说理论来研究《赎罪》这部作品，使得对这部作品的研究有了新的探索。

关键词：《赎罪》；伊恩·麦克尤恩；主题分析

An Analysis of the Atonement of Atonement

Abstract

Ian McEwan is one of the most prestigious and influential writers of the British contemporary. Since the 1970s into the literary world, Mike Youan pen farming constantly, masterpiece again and again. He has four times won the Booker nomination, and finally in 1998 to \"Amsterdam\" Gui Gui. Its representative \"Atonement\" (Atonement) since the publication of the year since 2001, widely acclaimed, including the United States won the National Book Review Award, including a number of awards. It has not only become one of the most popular novels of McEwan, but has been named one of the best-selling novels in recent years.

Adolescents often appear in the novel as a hero in the story of McEwan, and the growth of young people is also the focus of the work of McEwan. McEwan's ninth novel, Atonement, tells how a 13-year-old girl goes into a mature story through atonement. Many literary critics have analyzed the novel \"atonement\" from the different perspectives of subject, content, characters and narrative techniques. But an overview of these research results, so far has not from the growth of this unique perspective on the heroine in the work system, in-depth study. Therefore, this article will use the theory of growing fiction to study the \"atonement\" of this work, making the study of this work has a new exploration. Keywords \"atonement\"; Ian McEwan; theme analysis

Contents

摘要 Abstract

1 Introduction ..............................................................................................................................01.1 Author introduction ..............................................................................................................01.2 Studies by Overseas and Chinese Scholars .........................................................................0 Studies by Overseas Scholars ...................................................................................................0 Studies by Chinese Scholars .....................................................................................................12 Theoretical basis .......................................................................................................................22.1 Multi-perspective narrative .................................................................................................22.2 Multi-perspective narrative ethical significance ................................................................23 An Analysis of the Theme of Atonement ................................................................................43.1 The reason for atonement ....................................................................................................4 Atonement opens .......................................................................................................................4 Reason for atonement ...............................................................................................................53.2 The process of atonement .....................................................................................................6 Brion View ..................................................................................................................................7 Robbie perspective ....................................................................................................................83.3 The Ethical Value of Atonement ..........................................................................................9Conclusion .................................................................................................................................. 11Bibliography ..............................................................................................................................12Acknowledgements ....................................................................................................................16

错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 1 Introduction

1.1 Author introduction

As one of the outstanding British novelists, Ian McEwan (1948) in 1975 by virtue of short stories \"initial love and the final ceremony\" in the British literary world cut a striking figure. In 2001, Mike Youan published the novel \"Atonement\". This novel not only won the critics of the widely recognized, but also won the favor of many ordinary readers. To achieve such a result, Ian McEwan has his own unique. The purpose of this paper is to explore the interaction between the author and the reader in the famous novel \"Atonement\" of McEwan, with the help of James Fellen's theory of narrative judgment and the narrative technique of multi-perspective narrative To analyze.

1.2 Studies by Overseas and Chinese Scholars

1.2.1 Studies by Overseas Scholars

Ian McEwan's works have been in great graces of the critics since the very publication of his first story collection First Love, Last Rite. After almost twenty-years systematical study, British scholars have gained extraordinary progress in the studies of Ian McEwan himself and all his world-astonishing works. Atonement, published in 2001, is regarded as the most prominent and successful novel in the literature time of Ian McEwan. Therefore, abundant and exhaustive studies and researches have been launched by many eminent literary critics, scholars and book reviewers in the light of different methodologies on various subjects. All things considered, it's more helpful for us to understand the researches that have been done on Atonement from the following four aspects, namely thematic study, theoretical study, stylistic study and artistic study.

Thematic study refers to those studies with respect to different subjects, creative motives and topics in a novel. Atonement is defined by Elke D'Hoker (2006) as a literary confessional fiction which is distinct from the religious confession and he insists that sheer atonement is impossible to realize merely through literary creation. What can on earth counts for redemption in his view are the endeavor and the process of atonement. Peter Mathews (2006) holds the idea in The Impression of a Deeper Darkness: Ian McEwan's Atonement that there are perhaps no absolute answers to the ambiguous questions and

0 - -

错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 the modern readers are prone to interpret the novel as a symbol of expiation.

1.2.2 Studies by Chinese Scholars

Compared with the abroad studies, Ian McEwan's works were warmly sought after by readers and literary critics in China owing to the abundant emergence of translation and dissemination of his great works. Scholars at home started the preliminary studies on Ian McEwan himself and Atonement in the late 1990s and then pervasive researches on his literary creation were carried out increasingly. Apart from the conventional thematic exploration, Chinese scholars expound elaborately on many other research orientations with multiple critical approaches to literature for the more detailed studies. The studies on Atonement at home can be divided into the following four aspects:

First is the overall introduction and summarization to Ian McEwan and his literary creation began with Lan Chun's (1998) general introduction to his literary creation and early works in an article Ian McEwan and His Works. And then Zhou Zhipeng (2006)presents the main plot and little literature review on Atonement in his article Ian McEwan's Atonement.

Then it comes to the thematic studies which sprout in the early period, such as the theme of crime and atonement in professor Ding Jianning's (2004) article How Can Atonement be Possible A Review on lan McEwan's Atonement and initiation theme appeared in Cai Xiaoyan's (2009) article Growing up in Atonement An interpretation of the Initiation Theme in Ian McEwan's Atonement. Ruan Xiaojing (2010) in her master's thesis analyzes the image of Briony from two perspectives: Briony as a Freudian heroine and Briony as an initiation story heroine relatively. However, thematic studies generally emerged in the original stu即and are gradually overlapped by theoretical studies or the others which put variable narrative techniques as the focuses of study.

1 - -

错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 2 Theoretical basis

2.1 Multi-perspective narrative

James Fellen once proposed that the narrative of literary works exists at two levels: the narrative level of the author and the reader's reading level. These two levels in the dynamic development of mutual influence, mutual guidance. The narrative of literary works leads to two kinds of behavior: observation and judgment. Therefore, the judgment is not only present in the narrative level of the author (ie, the judgment of the author and each character), but also at the reader's reading level (ie, the judgment made by the reader during the reading process). Whether it is the judgment of the author's narrative level or the judgment of the reader's reading level, it plays a vital role in the reader's understanding of the literary works. Recognizing this, the author can use the narrative process in the narrative process, such as multi-perspective narrative, to guide the reader to make the desired narrative judgment, so that the final narrative purpose of the work can be achieved.

2.2 Multi-perspective narrative ethical significance

On the basis of the theory of narrative judgment in literary works, the author of the paper points out that in the novel \"Atonement\is mainly embodied in two aspect. First, in the first three parts of the novel, the author continues to use the internal perspective conversion method, the same event from the different characters from the perspective of repeated description. So that the reader in the grasp of the truth of the incident at the same time, but also understand the various characters on the same event of different understanding and complex inner activities, so as to understand the story of the origin of misunderstanding; second, the novel in the fourth part (end) by The third-person narrative transitions to the first-person narrative of the chief man named Rioni as the narrator and reveals the true identity of Brioni as the author of the first three parts of the Atonement and the fact that she has modified the story at the end. This conversion allows the reader to obtain two perspectives: (1) readers of Brioney's novel; (2) the reader of the novel that implied the author. Thus, the reader can from these two perspectives on the novel \"atonement\" to understand and explain.

By analyzing the characteristics of the multi - angle narrative of the novel \"atonementhe author realizes that the same information is observed from different

2 - -

错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 perspectives, and the quantity and content of the information obtained are different. In the novel \"Atonement\McEwan is the use of multi-angle narrative of this effect, the \"atonement,\" the original simple story into a huge information base bit by bit to the reader, and then guide Readers make more complex judgments at different stages of reading and ultimately reveal the theme of \"atonement\": the relationship between reality and fiction. Therefore, with the characteristics of multi-angle narrative in the novel, the narrative judgment of the reader to track and analyze, is to understand the \"atonement\" key.

- -

3 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 3 An Analysis of the Theme of Atonement

3.1 The reason for atonement

British contemporary famous writer Mike Aoyin's novel \"Atonement\" has been published since 2001, that is, in academia and the mass media caused a hot debate, known as the contemporary narrative classic, nominated final nomination list, has won the National Book Review Association Award Los Angeles Times Award. The success of the novel depends on the test of the fictional composition of the novel and the deep thinking of the novel. The postmodern narrative text reflects the strong self-consciousness and self-reflection, boldly improved in narrative techniques, However, it is the open text and the narrative process of the postmodern narrative means to create a variety of links and explanations, on the one hand to enhance the aesthetic effect of the novel, on the other hand makes it difficult for the reader from the traditional The rational perspective of the fictional themes of the novel to make a universal moral judgments, as James • Fellen said, \"we are in any position in the narrative are four kinds of contextual interaction results: (1) story world (2) the context of the implied author associated with the author and the reader; (3) the context of the real reader, and their relationship with the values and beliefs system, as well as the context of the believers; The narrative leads the reader to the position of the place. The concept of \"narration\" solves the above problems, and combines the narrative analysis with the value judgment to try to \"show the state of existence through literary narration, which is the structure of the narrative, the form, the gesture, the intonation and the narrative intention, the narrative function This paper explores the theme of the atonement of the novel from the perspective of narration, \"on the basis of reading the text, to explore and ask the implied in the text narrative elements of the spiritual values and orientation.\"

3.1.1 Atonement opens

Atonement\" in the form of intertextuality, to Jane Austen's \"Nuosangjue Temple\" in the fragment as a title, describes the \"Nuosangjue Temple\" in the heroine Catherine on the good guys Tiren's suspicion, and Novel little Brioney suspicion sister Cecilia lovers Robbie for the erotic, and then did not see the suspect in the case of Robbie for the rape of the plot fit. Many of the novels depict a small brionian indulge in the fictional literary

4 - -

错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 world all day long, and she is part of the frenzy of writing out of \"her favorite love for the order is satisfied, because a disordered world can be written Her story \"Arabella's Hardship\" completely inherited the tradition of rationalism, to promote rational restraint emotions, the story of the subject \"not to reason-based love is destined to fail with Jane?\" Austin's \"mind and emotion\" coincides with the thrust. The paranoia of reason and order opened the prelude to the atonement, from the story of the world's small Briño situation, the rationalist judgment on her future several major events to explain the interpretation of a significant impact, one step One step led her to finally criticize Robbie's mistake.

3.1.2 Reason for atonement

At first, in the \"fountain\" event, she saw Robbie proud to lift a hand, sister,

began to quickly get rid of their clothes. She could not understand the behavior, and made a vague, uncertain interpretation of it, \"(Robbie) as if to Cecilia issued orders. Strangely, the sister even beat him. He in the end to show her what Magic \"blackmail\" If the small Brioni interpretation of the incident to judge still can not be included in her rational order, the next \"love letter\" event makes her suddenly. She read Robbie mistakenly sent to Cecilia's love letter draft: in the dream I kiss your pussy, your sweet and humid pussy. In my mind, I have sex with you all day long. She recounted Robbie, and conceived the opening of a story full of real life, no longer a princess! The fountain side of the scene, intimidate Lin's atmosphere, ... ... through this letter, some kind of nature, cruel , And perhaps even something that has been committed, has been a dark principle, and she has no doubt that her sister is threatened to some extent even when she is agitated about what might happen , And will need her to help the city. According to these two events, she made the so-called rational judgments: Robbie is a dangerous pornography. \"Now he was qualitative, she felt some comfort. Benevolence. Later, the \"library\" incident fully embodies her judgment on how Robin has influenced and constrained her interpretation of the scene. She illustrated the scenes of Robbie and Cecilia's love in the library as Robbie's \"one attack, a melee and war\" against Cecilia, and she saw the field and was in line with her expectations She had already seen Robin's letter, and she had regarded herself as the guardian of her sister, so the scene she saw in her eyes must be more or less influenced by what she knew, or she Think of what they know the impact of the situation. Finally, in the \"rape case\

5 - -

错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 an eyewitness, although she did not see the appearance of the suspect, but she found the suspect is Robbie, her emotions angry and excited, she said, \"she His eyes confirm what she knows and the recent experience, or, more precisely, what she knows and the recent experience confirms her judgment. A 13-year-old child can not judge \"I know he is \"And\" I see him \"in the court as a confession of the world, Robbie therefore injustice imprisonment, three years later was sent to World War II battlefield, she will also use her life time to make atonement.

3.2 The process of atonement

To the third part of the novel, the adult Brioni in St. Thomas Hospital to take care of the wounded, for the crime committed deep confession. Later, Robbie returned from the battlefield and Cecilia reunited, Brioni bravely and to them, promised to tell the truth, with their own reputation in exchange for Robbie's innocence. The third part of the novel is the end: \"It is not much time to draft the notes to the parents and the formal statement, and the rest of the day, she is idle, and she knows what to do.

The draft is not just a letter, but also a new draft, a kind of atonement. She was ready to start. BT London, 1999. At this point Brioni's atonement was unraveled, and the narrative seemed to be at the end, but, as Heath Miller said in his interpretation of the narrative, \"a table looks like a closed end The novel, as if always able to re-open, \"McEwan to\" 1999 London \"as a question added to the end, Brioney to read the way to tell the reader is their own time 59 years, Atonement and the completion of a novel, and the text referred to Robbie and Cecilia's reunion, Brioni for Robbie name is not true, the fact that \"Robbie Turner in June 1, 1940 In the days of Breton's death, Cecilia was killed in the bombing of the Bellham Marsh station in September of the same year, and I had never seen them since then, and it was impossible to make atonement. Through this metaphor, And then reconstructed the order of \"the crime of atonement and new life\" which had been constructed in the first three parts of the narrative text, reconstructed the standard and guided the reader to make the corresponding ethical judgment. The tragedy of \"atonement\" arises from the paranoia of the world order, However, the traditional judgment again Return to the world order as the ending of atonement, if the lovers get married, the people who have sinned finally get understanding. Therefore, the first three

6 - -

错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 parts of the \"atonement\" narrative fit most of the readers of the inherent judgments, readers often narrative process For example, at the end of the second, Robbie said to his companion, \"Wake me before seven o'clock.\" I promise that you will not hear me say a word again. There is already a strong hint: Robbie will not wake up again, however, the reader is often optimistic about the fact that when reading the third part of Robbie and Cecilia's reunion, , There is no chance, no time to question, because it is consistent with their expectations. The reader of this judgment process and small Brioni on Luo's false identification process is surprisingly similar. No doubt, \"atonement\" to the author's The reader reveals a process of judgment that makes a clear distinction between \"I see this\" and \"I know so\" or \"I know that should be so\" and try to explain the effort of this complex world in an inherent order Are in vain, and even have bad consequences, it is overwhelmed. While \"order\" is the cause of atonement, \"non-order\" is the consequences of atonement.

3.2.1 Brion View

From the narrative point of view, \"the facts that make up the story environment never come with 'themselves', and always according to some kind of vision, some kind of observation points present in front of us ... ... in literature, we have to study Is never the original fact or event, but something or something that has been described. 'McEwan has shown his superb narrative and narrative tactics in the Atonement, and he has taken a different view of the same incident The narrative perspective of the narrative lines of the \"three aspects of the Atonement\" (the first three texts of the Atonement) of the Brioni version is analyzed and deconstructed, and it is not difficult to analyze the novels Home of the road of atonement, \"the subject to make the appropriate judgments.

Adult Brioni tried to enter into the consciousness of different characters in his novel \"atonement\judgment in the identity of the author in order to achieve through the novel The purpose of atonement, therefore, her \"fountain\" event, \"library\" events are described from the multi-point of view. This seemingly unsatisfied gesture did not actually achieve the purpose of her intervention. On the \"fountain\" event and the \"library\" incident, Brioni were from Robbie, Cecilia and small Brioni two different points of view to narrate, on the one hand to restore the truth of the facts, on the other hand But also to the narrator of the reader to understand the small Brioni committed \"sin\" behind the goodwill and its

7 - -

错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 inevitable, greatly reducing the degree of negative Brioney judgment. However, the novels of Brioni's novels, narrators and writers are in three roles, and the reliability of her narrative is questionable. The author's reader can find the flaws of his reliability from the narrative of the novel.

3.2.2 Robbie perspective

In the second part of the novel, Robbie recalled from his point of view Brioni

ten years old that year of deliberately fell into the water of a past: small Brioney in order to confirm that Robbie will not fall out of danger after she died , Regardless of the danger of life jump into the water, and in Robbie struggling to save her later, to its deep confession: \"I love you\". From Robbie's point of view, it was Little Brioni who breeded himself and eventually turned away from love, which led to her slander in the rape case, false accusations. Is Robibie huffing Brioni, but his narrative is reliable, as follows: First, from the text of the narrative, it is true that Robbie hates Brioni, Can be seen that this \"fall into the water\" event is not Robbie's unthinkable imagination and fabricated, Brioni did not deny this incident. Second, in the previous year Brioni had responded to Robbie's swimming event: after the \"love letter\" incident, she mentioned that \"there was a lot of times in the summer, she had been in the pool with him alone, By the time he taught her to step on the water and breaststroke ', the third and most important point, look at the full text can not find any Brioney point of view of her own feelings of this narrative, on the contrary, she expressed in the narrative Was so calm, as in the \"fountain\" incident, she initially mistakenly that Robbie to Cecilia to marry him, she commented: \"He has the courage to Cecilia courtship, it is not surprising. So across the door of the first love, every day there should be a lot of it After the affair, she wanted to write a story about the incident, \"This is a story of a man who likes everyone, but the heroine in the story has been skeptical to him, and finally, she finally exposes Out of the original incarnation of evil. \"The heroine of Brioni himself, she has been\" doubt \"on Robbie? Obviously the answer is no. These seemingly calm narrative is to cover her to Robbie Love of the heart, and her in the \"fountain\" event, \"library\" incident in the performance of the calm, and the attitude of the formation of a sharp contrast, quite hope to hide something too.

Of course, the Brioni version of \"atonement\" is actually Mike Youan by Brioney's hand on its narrative text for such a deal, intended to reveal to the reader \"novelist can not achieve its salvation after all,\" the theme, As McEwan was expressed by Brioney's

8 - -

错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 readme, \"how can a person who has absolute power, can do anything they can, and how can we get atonement?\" There is no one in this world. The kind of entity or the higher form is what she can, is reconciled with it, or will forgive her. Outside her, nothing does exist. 'The novelist has absolute power, his hand of God Can create everything in his narrative, destroy everything, he can not escape the weakness of human nature, the narrative object of its reorganization, deletion, to their own advantages and disadvantages of dealing with; even if Brioney through the novel atone Very strong, sincere, she was in their own atonement of the road set up such a barrier, can not go beyond its own limitations. Brioney realized that \"this is always a can not finish Into the task. This is the key, \"but she is still struggling to try.

3.3 The Ethical Value of Atonement

The ethical value of \"atonement\" can not be judged simply by the two elements of \"fictitious sin\" and \"true atonement\". Brioni creation novel \"Atonement\" after 59 years, from 1940 onwards, she is committed to restore the truth: she collects a lot of information, even if it is a little bit of the real changes have given her great satisfaction, Brioni wants to \"write all this as a historical record.\" However, the approximation of reality is atonement? In fact, the novel's fiction is its inherent ability to get rid of, no one will take her novel as a historical record, even Novels want to make atonement of Brioney also \"is just an illusory existence. No one will care about what is false in the novel, who is distorted. Since the true completion of the atonement, which readers can from this real ending, \"what kind of meaning, hope or gratification? ... ... in addition to serving the harsh authenticity, who will believe (this outcome)? , Brioni finally chose the \"fiction\has lovers get married, literary compassion through the world to be beautiful to achieve. \"Fiction\" constitute the original sin of the novel, the novel atonement also \"Fiction\" in the realization.

However, McEwan eventually reveals the cruel truth in his version of \"atonement\and what is the ethical value of this exposition? McEwan's end of this metaphor is the return of postmodern texts to realism, but This is not a copy of the old realism, but in the layers, the intention of \"re-awakening the social responsibility of literature\in the narrative layer, inherited the realism of the \"realism of the big

9 - -

错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 principles, on this basis, also In order to adhere to the principle of realistic, McEwan in the form of meta-fiction to expose the truth of the facts, but also pointed out that \"let my novel lovers eventually round and round, endless, not by Cowardly or evasion, but my last great sincerity, is a sign of forgetting and despair. This is McEwan's self-consciousness and self-reflection. McEwan's \"atonement\" in the crime, the crime of Brioni, Laura sin, the crime of war, ... ... these are realistic way to record, not and should not be forgotten; there are also love Love of the people, even if the evil can not be redemption, Robbie and Cecilia final reunion of the end to give the world is beautiful and hope. Against the forgotten and desperate, which is \"atonement\" to assume the literary bounden social responsibility.

10 - -

错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 错误!使用“开始”选项卡将 标题 1,章标题(有序号) 应用于要在此处显示的文字。 Conclusion

There is no doubt that narrative criticism has created a new idea of aesthetic and ethical value research. According to Western human rhetoric, \"narrative can help shape the reader's emotions, self and life, develop their moral consciousness.\" By entering the narrative space of \"atonement\\"author-narrator-text-reader\" and a multi-level analysis of the theme of \"atonement\" The From the interpretation of judgment and judgment of the interaction, different perspectives of narrative, narrative ethical value point of view, the \"atonement\" narrative techniques and aesthetic judgments to be affirmed. The social responsibility of the literature \"Forgiveness and Despair\" revealed by \"atonement\" has an important ethical value for the postmodern world where we are today.

11 - -

错误!使用“开始”选项卡将 标题,章标题(无序号) 应用于要在此处显示的文字。

Bibliography

[1]Abrams, M.H. A Glossary of Literary Terms [M]. Toronto: Harcourt Brace College Publisher, 2003. [2] Baldick, Chris. Oxford Concise Dictionary of Literary Terms[Z]. Shanghai: Shanghai Translation Publishing House, 2013.

[3] Bedford, Martyr. She Stripped off and Plunged in [J]. Literary Review, 2001 (10):52.

[4] Begley, Adam. A Novel of Discrete Parts, Blessedly at One with Itself [M].NewYork Observer, (18, March) 2012.

[5] Buckley, Jerome. Season of Youth: The Bildungsroman from Dickens to Golding[M]. Cambridge: Harvard UP, 1974.

[6] Byrnes, Christina. The Work of Ian McEwan: A Psychodynamic Approach [M].Nottingham: Paupers' Press, 2012.

[7] Childs, Peter. A Reader's Guide to Essential Criticism: The Fiction of Ian McEwan[M]. New York:

12 - -

错误!使用“开始”选项卡将 标题,章标题(无序号) 应用于要在此处显示的文字。

Palgrave Macmillan, 2016.

[8] D'Hoker, Elke. Confession and Atonement in Contemporary Fiction: J.M Coetzee,John BanvilIe, and Ian McEwan [J]. Critique, VoI. 48 (fall) 2016: 31-43. [9]

Driscoll,

Lawrence.

Evading

Class

in

Contemporary [J]. British Literature, (15, Jun)2009. [10] Finney, Brian. Briony's Stand against Oblivion: The Making of Fiction in Ian McEwan's Atonement [J]. Journal of Modes0n Literature, (winter) 2014: 82. [11] Foley, Andrew. The Imagination of Freedom-Critical

Texts

and

Times,Contemporary Literalism [M]. 2009.

[12] Formations, Phantom. Aesthetic Ideology and the Bildungsroman Marc Reld[M]. 1996.

[13] Harold, James. Narrative Engagement with Atonement and The Blind Assasin [J].Philosophy and Liter0ature, 2015 (1): 130-145.

[14] Hidalgo, Pilar. Memory and Storytelling in Ian McEwan's Atonement [J]. Critigue,Vol. 46 (winter)

13 - -

错误!使用“开始”选项卡将 标题,章标题(无序号) 应用于要在此处显示的文字。

2015: 82-91.

[15]苗渝萍.美国成长小说研究[M].北京:中国社会科学出版社, 2014.

[16]孙胜忠.美国成长小说艺术与文化研究[M].合肥:安徽人民出版社, 2008.

[17]徐月一倾空的器皿—成年仪式与欧美文学中的成长主题[M].上海:上海三联书店, 2008.

[18]伊恩·麦克尤恩著, 郭国良译.赎罪[M].上海:上海译文出版社, 2015.

[19]詹姆斯·费伦著, 申丹译.叙事判断与修辞性叙事理论—以伊恩·麦克尤恩的《赎罪》为例[J].江西社会科学.2007, 25-35.

[20]张和龙.成长的迷途—评麦克尤恩的《赎罪》[J].当代外国文学.2003年第四期, 40-46.

[21 ]朱刚.二十世纪西方文艺批评理论[M].上海:上海外语教育出版社, 2015.

[22]陆建德“.文明生活的本质”:评麦克尤恩的《赎罪》[J].世界文学.2013年第六期, 289-300.

14 - -

错误!使用“开始”选项卡将 标题,章标题(无序号) 应用于要在此处显示的文字。

[23]瞿世镜.当代英国小说[M].北京:北京外语教学与研究出版社, 1998.

[24]丁建宁.赎罪如何可能一评伊恩·麦克尤恩的《赎罪》[J].外国文学动态, 2014(6):21-23.

[25]高飞.何以铸错一论麦克尤恩小说《赎罪》中的家庭伦理缺失[J].长春工程学院学报(社会科学版), 2013 (4): 97-99.

[26]韩杰.论《赎罪》的元小说特征[D].河北:河北师范大学, 2009.

15 - -

错误!使用“开始”选项卡将 标题,章标题(无序号) 应用于要在此处显示的文字。

Acknowledgements

Time, such as water, years of flies, blink of an eye is close to graduation, in the upcoming graduation farewell moment, take this opportunity, I would like to thank a lot of help my teachers, classmates and has been supporting my study of friends and family. Turned back to the campus life, full of gratitude. Although the writing of the long article is a bit difficult, but let me once again deeply appreciate the infinite meaning of learning, let me build a lifelong learning firm belief.

Can successfully complete the writing of the paper, first of all I would like to thank my teacher. At the beginning of the writing, the initial idea is chaotic, it is difficult to become a system, and can not fully grasp the focus of accurate elaboration. In the teacher's help and detailed interpretation, I find out the way of writing and analysis, so as to lay a solid foundation for the writing of the paper.

College teachers in the study, life gave me a lot of guidance and help, thank you teachers! I was fortunate to learn from the sacred hall of academic nutrients, enrich themselves. Teacher is hard to report, I always remember a mind, lifelong spur yourself, inspire yourself!

Thank my parents and family for many years to my study and life support and encouragement, thanks friends to accompany and encourage, three years of student feelings, accompanied me through an unforgettable youth.

I would also like to thank you for taking the time to review this article. Thank you.

16 - -

★注意：仅填写毕业论文评审意见表A 评审意见表的前 毕业论文题目 学生姓名 专业班级 指导教师评语: 毕业设计（论文）的评语要规范，评语可打字但不能雷同，评语和建议成绩应与毕业设计（论文）完成质量相符。 建议成绩： 指导教师（签字）： 年 月 日 ★注意：仅填写评审意见表的前毕业论文题目 学生姓名 毕业论文评审意见表B 专业班级 评阅人评语: 毕业设计（论文）的评语要规范，评语可打字但不能雷同，评语和建议成绩应与毕业设计（论文）完成质量相符。 建议成绩： 评阅人（姓名、职称）: 年 月 日 ★注意：仅填写评审意见表的前毕业论文题目 学生姓名 毕业论文评审意见表B 专业班级 评阅人评语: 毕业设计（论文）的评语要规范，评语可打字但不能雷同，评语和建议成绩应与毕业设计（论文）完成质量相符。 建议成绩： 评阅人（姓名、职称）: 年 月 日

答辩委员会意见:

（答辩委员会成员的签字要手写）

答辩委员会(教师姓名、职称)：

（答辩委员会成员的签字要手写）

毕业论文成绩：